DON’T COME UNDONE - Non ti disunire

Pain is a gift when eradicated. You uproot it and spit it out. It’s beautiful. You can’t eradicate your suffering where it was provoked. You drag it around and watch it like your shadow. You cannot make movies with unripe sorrow, nor with another’s eyes or hands. We come undone long before leaving.

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Keeping Up With Milano's Art: February 2024 Issue

The February issue of KUWMA is out, offering a rejuvenating perspective on contemporary photography! From the dynamic new gallery space at 10 Corso Como featuring Roe Ethridge to the humorous Martin Parr exhibition at MUDEC, follow @lisa.widmayer ’s journey through Milan‘s art buzz as she explores the allure of contemporary photography for our generation. Join the conversation and share your thoughts with us! 

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Milan Snapshots 1.0

Through first impressions of Milan, this narrative explores the intricate process of perception forging. From initial awe to gradual acclimatization, it examines the role expectations play in shaping insights; and how repeated experiences transform our initial wonder into a familiar tapestry, reflecting the dynamic interplay between novelty and normalcy in our minds.

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FEATURESNuria Massanes
A Conversation with Elena Bianca Zagari

From the art-drenched streets of London to the cultural tapestry of Naples, her lens captures a rebellious and authentic journey. Uncover the raw fusion of personal identity and visual storytelling, challenging stereotypes and societal norms. Zagari's work is a rebellion in every frame, a visual manifesto against conformity.

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Looking Into the Blur

There’s an allure to the blur – a hazy, intoxicating realm that invites us to break free from rigidity. Flou conjures a world of motion, vagueness, and ephemeral beauty. Put your glasses on (or maybe don’t) and look into its association with art, culture and our innate perceptions.

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ART & DESIGNIris Spoormans
Parole Parole Parole

Everyday we talk, we conversate, we communicate. Everyday we use words. Nevertheless, the symbolic language with which we express ourselves is a mere invention, and as such confined by our imagination. So, I wonder, if the words we use to communicate are bound to remain in limbo, why do we continue to talk obstinately?

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