The sadness of leaving the US attacked me on the plane. “I will probably go to Marshalls” says Drew Barrymore to Adam Sandler in “The Wedding Singer”. Tears flow to my eyes. I frown. What now? What is wrong? I realize that I am not crying, surprisingly, because I have to watch two people in love with each other on the airplane screen. My longing for human touch, romance, love has been overcome. I have a different lover now, one that can live inside of my head forever, one that will never reject or cheat me, because I am wired not to allow it.
I grow increasingly anxious as I realize that with each second, I am being transported away from the place where all (for sure too many) of my cultural references were ready to use. And because I was born in 2004, I live, breathe, eat cultural references. Being 15 minutes away from shelves stuffed with Chili and Lime tortilla chips and Peanut Butter dark chocolate cups was probably the highest I will get in life. My identity is in itself a cultural reference, I navigate in a pulp, in a fiction. I am a void that has been filled by the angel wing graffiti in LA (what was that, I ask), the sugar cookie with pink frosting and sprinkles, the Dance Competition in Houston Texas that a youtuber who would use Clean and Clear was attending in 2015, a juul, a house fully carpeted with white fluff that converse were allowed to stomp on. I am those things. Each sentence that comes out of my mouth is nothing but a cutout collage glued very badly on a thin piece of paper.
Sure, I am also rosół, Słoń Dominik, kompot, Zachęta, pasztet, kolędy, Świat według Kiepskich, the 1940 building with a grimy staircase and the flat on its second floor with the painting by the grandparents’ friend, the old Russian cutlery from the 100-year-old cabinet. But that I am not in the same overwhelming and uncontrollable way. That is not what I chose, that is what I was born into and what I felt (and subconsciously probably still feel) was inferior. It feels secondary in the era of hyperglobalization.