My Bed, My Story

For many of us, our rooms serve as a grounding place, the spot where we spend most of our lives. As we grow and progress, our bedrooms become a reflection of ourselves, our personality, and our habits. Whether its books, art, or piles of half-empty water bottles, everything in our bedroom is there because it is part of who we are. 

Enrique Rottenberg’s series Sleeping with… features different bedrooms around Cuba. Small, big, clean or dirty, the rooms Rottenberg captured are some of the most intimate spaces in people’s lives, and he put them on display for the world to see. 

A few years ago I went to one of his exhibits in Havana, and while looking around at all of these bedrooms, I couldn’t help but feel like I was overstepping an unspoken barrier of intimacy with whoever’s privacy I was invading. My mom and I would try imagining the backstory of some of the people, what they did, where they worked, how they acted, or what type of music they liked. 

That same day, I remember overhearing Rottenberg talk about his experience shooting the series. He mentioned how some people tried rushing to clean their room before he could take a photograph. Imagine, caught off guard on a casual Monday afternoon, being asked by a random guy you have never seen in your life if he can take a picture of where you sleep at night. 

Sleeping with… by Enrique Rottenberg

Since then, I once in a while look around my room and wonder if I would have let him come in. And what would people think of me if I had, what type of person does the state of my room communicate? If I were to answer that last question right now, I’d probably have a rather concise answer for it: a fucking messy one.
Books on the floor, clothes on the table, a hefty collection of jewelry lying around, glasses, candy wrappers all over the place: that’s been the state of my bedroom over the past few days. Without my mom to keep up with the tidiness of my room, I find myself in the midst of this type of chaos at least once or twice a month.

This is not necessarily something I am proud of; the thought of having a messy room makes me extremely anxious, but I have had to slowly accept that sometimes I just have no choice but to co-exist with my own chaos. However, It is something that I mostly like to keep to myself, sometimes I won’t even let my roommate peek inside depending on the level of messiness I am dealing with.

AF Vandevorst SS 1999

In my last article I mentioned some of my diary entries and the intimacy of journaling, the concept of writing thoughts down that are only for you and yourself to read and enjoy, but if I am being honest with myself right now, I think I would much rather have all of my diaries leaked on reddit than for someone to take a picture of my room and post it online. 

There is nothing, and I mean nothing, more private than one’s personal space, filled with our belongings, with our beds. Our beds! Please, it is the place we sleep in suspected safety, where we become intimate with others and with ourselves. Our bed is a space where we let restrictions go in the air of privacy, and we enter our most vulnerable state. 

My Bed by Tracy Emin

But if we are talking about beds, it wouldn’t be right to forget to mention one of the most controversial works of art of the late 1990s: My Bed by Tracy Emin.

After a four day depressive episode over a bad breakup ensued, 35-year old Emin rolled out of bed and found herself to be staring at what would become one of her most famous pieces to date. 

In an interview talking about the piece she mentioned wondering what people would have thought of her had she died during that mental breakdown, until she realized that she in fact hadn’t died.

Oh, my God. What if I’d died and they found me here… And I thought, this wouldn’t be the worst place for me to die; this is a beautiful place that’s kept me alive.”

Much like most of Emin’s work, My Bed can be described as confessional and conceptual. Her bed was displayed exactly the way it looked once she got out of it: full of dirty clothes, used condoms, stained with seminal and menstrual fluid; on the floor scattered are bottles of vodka, playing cards, and cigarette boxes.

At the time the piece received backlash from art critics that questioned the originality and hygieniety of the work. It nevertheless still gained notoriety and a cult following, being shortlisted for the Turner prize, displayed at the Tate and eventually sold for £2.5 million. 

Emin poured her life into her work, and while some of the aspects of the piece can be perceived as suggestive and sexual, it also showcases the authenticity of the woman experience. The good, the bad, the long nights of  drug and alcohol use, Emin’s essence is captured by the objects on the bed.

When looking back at the piece 15 years later, she reflected on the changing meaning the piece holds as she grows older. 

It gets older, and I get older, and all the objects and the bed get further and further away from me, from how I am now. I used the example, in there, about how the belt used to fit around my waist and now it actually fits around my thigh… I don’t smoke, I don’t have sex, I don’t use contraceptives, I don’t have periods, I don’t wear small pale blue knickers that look like one of Turner’s clouds. I don’t make stains on the bed like that, like I used to, and if I did, I wouldn’t have a bed like that, the sheets would get washed immediately.

My bedroom now looks insanely different than it did 10 years ago, or one year ago even. As I change, the bedroom changes with me. I urge you to look around yours too. What is it that makes your bedroom yours? What would a stranger think of you if you saw it without context through the window?