I May Destroy You: An Honest Depiction Of Sexual Assault In All Of Its Forms

In the wake of November 25th, the International Day for the Elimination of Violence against Women, something has changed in the public discussion this year. Activists and public figures spoke up about the staggering statistics of the violence directed to women– just in Italy, 1 woman out of 3 has been a victim of violence (ISTAT). Newspapers were called out for victim-blaming articles, and consequently apologized for it, pledging to do better. The public sphere seems to be, finally, grasping the problem.

It is vital to talk about sexual violence, to break this taboo and create a tangible change. And it is undeniable, that the entertainment industry has a big role to play in this situation. After recently rewatching one of my favourite TV shows, I realized something: the way sexual violence is depicted on screen is damaging for survivors and for society as a whole.

I'm an avid consumer of TV series. It is a medium I love, with its ability to stretch the plot through a long timeframe, sometimes across many years, creating a space for unconventional stories, fast adaptation to societal changes, and deep character development.

However, despite having watched hundreds of TV shows in my life, I genuinely struggle to find one that depicts sexual abuse and its psychological consequences, in a way that doesn't make me want to turn off my computer immediately. 

Photo from HBO’s “I May Destroy You”

Photo from HBO’s “I May Destroy You”

Take, for example, the widely acclaimed "Game of Thrones". Even though violence and sex were a well-known characteristic of the show, a disturbing number of rape scenes are depicted throughout the eight seasons: according to Vice, 17 rapes are shown on-screen just in the first five seasons. One in particular (the Black Wedding, for the fans), depicting one of the main female characters as a victim, was particularly violent and still haunts me to this day.

"Peaky Blinders", another show acclaimed by the public and critics, follows a similar pattern. In particular, almost all of its female leads are sent by men, at different moments of the story, as literal bargain meat, at the mercy of other men to abuse them with a varying intensity of violence. As if this was not enough, the scenes are usually followed by overt slut-shaming from their friends and family members. Yikes.

"Mad Men", "Downton Abbey", "Scandal"... I could go on. Too many recent TV shows fall into the easy trap of using sexual violence as a cheap plot device. Rape almost becomes “mainstream”, adding a touch of drama, taken for granted for a main female character to be treated as relevant to the storyline. It is used and abused by writers to be a shock element, without even remotely addressing the real, long-lasting, often life-changing aftermaths of a sexual assault. 

Photo from HBO’s “I May Destroy You”

Photo from HBO’s “I May Destroy You”

For years, we have been fed narratives from the eyes of people who do not know what being a victim of rape means. Writers, viewers, and critics have justified the use of it, in the name of giving the victim a reason to seek revenge, adding “realism” to period-drama, or providing the excuse of “fighting for a woman’s honor” for male characters to take the lead. 

My main question is then: are these narrative that essential for a storyline? Do characters need such a punishment to be considered interesting? And, most importantly, why aren’t we more bothered by the romanticization of rape and violence?  

Fortunately, some TV releases in the last few years have provided some reasons to be hopeful. Shows such as "Unbelievable" and "Grand Army" premiered on Netflix this year, and brilliantly tackle the topic of survivors and the lonely journey they are forced to go through.

I can also honestly say that one particular series has been life-changing for me: the critically acclaimed 12-episodes British series "I May Destroy You", released in June 2020 and written, produced, and directed by the brilliant Michaela Coel. 

The series follows Arabella, a Millennial star-novelist who, the night before the deadline of her second book, decides to forget her writer's block by going on a night out with some friends. The next morning, however, when she is back in her office handing the first draft of her book, she cannot recall most of the events that happened that night. Soon enough, it becomes evident that she was sexually assaulted.

Photo from HBO’s “I May Destroy You”

Photo from HBO’s “I May Destroy You”

"I May Destroy You" is almost revolutionary in the grim landscape of mainstream TV. Sexual assault and its consequences, intertwined with racial and power dynamics, are tackled in their complexity with a refreshing yet daunting point of view. Rape is depicted without sensationalism, but through a truthful story that includes touching humanity and raw emotion: the processing of the trauma, the problems with the justice system, and the reconstruction from such a horrendous experience, are all lived in different ways by the characters of Arabella and her two best friends, Kwame and Terry. 

Michaela Coel delivers quite a masterpiece, with an intelligent script and so many details that only one viewing cannot fully uncover. In particular, I still think today of her breathtaking monologue about the so-called “grey area”, and how this one scene addresses the topic in a way I have never seen before on television. The show sparked countless discussions on social media about consent, sexuality, and sexual assault, and I genuinely hope it will receive awards at the heights of Fleabag's 2019 Emmys triumph.

Representation matters. Words and images matter. The romanticization of violence on women, used as convenient plot device, is no longer acceptable. Is the example of "I May Destroy you" enough, given the problematic history of rape depictions on-screen? Not sure. But is this example and its success proving a willingness to give more voice to survivors? Possibly.

In the wake of November 25th, I can definitely say: entertainment has a problem with sexual violence. But things seem to be changing Now, it’s important to listen, and amplify the voices that have been silenced for a very long time.



CINEMASilvia Rigamonti