If every time I were to receive a cent from someone - quite outwardly, and far more often than not, wrongly - guessing my nationality, I could have easily afforded my Bocconi education. The short dialogue after an innocent “Where are you from” usually follows a very similar, well-rehearsed script. Hint: you’ve probably heard of my country, but not in the way any of us - Kazakh people - would have liked. If, however, you’ve reached this part of the article, and are still oblivious to what on earth is “Borat”, congratulations! You have my respect, and also an honest recommendation to give it a watch. For the sake of brief context, “Borat” - a 2006 mockumentary starring Sacha Baren Cohen– presents Kazakhstan, where I’m from, to the world as a ‘country of rapists’ and a home to Borat’s sister, “4th best Prostitute in all of Kazakhstan”. Needless to say, it’s not on most Kazakh people’s watchlists. Nevertheless, it also hit 262.2 million in the box office, won numerous awards, and became a cultural phenomenon, gaining a reputation going far beyond what Kazakhstan could likely have achieved on its own by this point. Despite the issue being rather local, the very existence of the Borat situation resurrects a debate of whether the stereotypical misrepresentation of different national, ethnic, and cultural groups in cinema should be welcomed with a good dose of humor, or on the contrary, an offense and a lawsuit. In the case of “Borat” and Kazakhstan, there were both.
The examples of different social groups being portrayed in the film through a lens of stereotypes are countless. Starting with a typical “Russian man”, with his love for vodka and riding bears, going all the way to overly mannered French people and loud, passionate Italians. Certain prejudices are unavoidable when coming to how different nations are shown to us in movies, TV-shows and other popular forms of media. Most of the stereotypes are to a certain extent based on truths. Italians are, indeed quite loud and passionate, but in all the good ways. French people do not lack manners, and while it’s almost universally agreed, that extreme biases and chauvinism have no place to be in modern society– most learned not to take these things to heart–treating stereotypes with nothing more than an ‘eye-roll’ and well-intended humour. When Borat first came out in 2006, however, the reception in Kazakhstan was quite different. The movie got banned, and with a sequel premiering this year, a nation-wide “CancelBorat” campaign was started, (although, it got quickly replaced by a more positive outlook and a brand new ‘Very Nice!’ touristic campaign.) Although the film can be categorized as a ‘comedy’, most people in Kazakhstan were outraged, rather than laughing. The release of a sequel has separated the Gen-Z (and not only) Kazakh population into two warring camps. Can’t Kazakh people take a joke? The situation is a bit more complicated than that.