Unveiling the Triad of Faces
Auguste écoutant la lecture de l'Enéide, ca.1814
Jean-Auguste-Dominique Ingres
In the intricate tapestry of human existence lies a profound Japanese cultural concept: that of the three faces. These faces are not merely physical visages, but layers of the human psyche that shape interactions, decisions, and relationships. This perspective delves into the delicate web of authenticity, social dynamics, and the ever-present internal conflict to define and present ourselves.
The first face, the one we present to the world, is the embodiment of our social role. It is the polished exterior, a mask we wear to navigate the expectations of our culture and community. That face makes us seek approval, recognition, and validation, dancing in the spotlight of our public lives, offering a curated version of ourselves to meet the demands of our surroundings. Concealing our vulnerabilities and hiding the complexities of our emotions, the first face is the one we present when we first meet someone, focusing on politeness and courtesy. Yet, within its carefully crafted contours, lies an authenticity yearning to break free.
Within our inner circle – of family and close friends – the second face emerges and rips all pretenses apart, allowing authenticity to shine through. This face exists within shared memories, experiences, and emotions. It is where we find solace in being understood for who we truly are. Letting our guards down, the second face is unveiled beneath the veneer of social roles, allowing genuine connections to form. The beauty of this face is the shared history that binds us and thus allows for mutual understanding and unconditional love.
Chicago, 1975
Vivian Maier
Deep within the chambers of our heart resides the enigmatic third face. It dwells in the innermost recesses of our being, a stock of emotions, desires and thoughts that often remains hidden, not always on purpose, but perhaps because people themselves are unaware of their truest self. This face is the epitome of authenticity, it is the gatekeeper of our hidden emotions, our suppressed fears, and all secret aspirations. We can consider it our puppet master, always guiding our actions and influencing our choices, but never revealing himself. The third face is the canvas upon which the most profound human struggle is painted and where the other two faces emerge from.
In the ethereal realm of human spirituality, people embark on a journey that beats to the rhythm of tripolarity rather than bipolarity. Within the triad of faces, we lay bare the layers of our souls, our interactions, and the inextricable confusion that sculpts our existence. It is a mesmerizing voyage of self-discovery, culminating in a masterpiece of performance art, of all people harmonizing their inner dissonance – an artistic Odyssey that has tantalized the senses of creators and thinkers since time immemorial, a riddle with no answer.
The ‘tripolarity’ inherent in the third face is no simple binary, but rather a complex interplay of emotions and desires. It is no dichotomy but rather an alluring dance of conflicting elements; a fight between right and wrong, ethical and unethical, desire and composure. The longing for authenticity engages in a passionate pas de deux with the fear of vulnerability, while the need for self-preservation dances a delicate ballet of self-care. The desire for legitimacy, a prima ballerina, pirouettes with grace, eager to shed the mask that conceals the soul’s unseen color. The fear of vulnerability, a spectral waltzer, whirls in shadows, pleading for caution, invoking memories of past wounds and fears. The need for self-presentation, a stoic guardian, erects barriers against potential threats. Each performance is a masterpiece; a delicate dance of emotions and desires.
Vivian Maier