The Devil Wears A Black Square: A Memoir
Illustration by Baz Pugmire
June represents many things. To some, it symbolizes the long-awaited beginning of a well-deserved period of non-stop laziness. To others, it represents redemption– the perfect opportunity to have a productive summer and compensate for all the hours wasted on nonsense. For the Fashion Industry, however, June takes on a whole different meaning. During this time of the year, marketing specialists and PR assistants go on a cyber hunt to find the “LGBTQ” file they like to open once a year– the one used to flaunt about how inclusive the 5% of their company is.
This year though, our Instagram feeds were bombarded by a slightly different type of activist posts. This time, the “Diversity” file was opened as well. Not only did we get to see the usual rainbow-themed pictures, but we also got to see a large number of empty black squares. As we all know, this black square is quite meaningful. It represents support towards the Black Lives Matter (BLM) movement– which brings awareness towards the injustice as well as racial problems that Afro-Americans from the United States (US) have had to face for centuries now. And even though the purpose of this post is positive, some fashion brands have managed to turn it into the new “#ThoughtsandPrayers”– a lazy phrase used by celebrities to show support to causes that do not affect them at all. Sadly, this is the result of a phenomenon known as Performative Activism.
Before starting, it is important to remark that not every fashion company is a victim of this anomaly. Several brands have managed to take matters into their own hands, put money where their mouth is, and reassess the number of people of color (POC) that are part of their workforce. Nonetheless, today I will be expressing my feelings towards the other side of the Industry. The side that solely believes that one black square a day, makes all racial problems go away!
Illustration by Alex Katz, via Diet Prada
Let’s begin with what was once considered to be the “Holy Bible” of the Fashion Industry: Vogue. Ruling with an iron fist as the Editor-in-Chief of Vogue US since 1988, Anna Wintour has created for herself quite a distinctive persona. Famous for her “bob and dark sunglasses” look, Ms. Wintour is mostly recognized for being the inspiration behind Miranda Priestley– one of Lauren Weisberger’s characters from the 2003 classic, “The Devil Wears Prada”. In this masterpiece, Priestley promotes an intimidating environment filled with elitism and exclusivity amongst the working staff of the fictitious fashion magazine “Runway”. An environment where only nepotism, high beauty standards, and money prevail. Even though this bestseller was published almost two decades ago, it is still not far away from Wintour’s current profile.
Unless you haven’t been checking the news this past month, then you probably have already seen Anna Wintour’s lame response to Vogue’s lack of diversity and racial problems. The British editor excused herself, claiming that “...Vogue has not found enough ways to elevate and give space to black editors, writers, photographers, designers, and other creators...”. Allow me to make this clear for you. In the past 32 years that Ms. Wintour has been working as the head of one of the most powerful publications of the Fashion Industry, she has not found any ways to increase the number of POCs working for her. Sadly, this is no shock to me, since less than five years ago they hired their first black photographer. Ever. Poor Anna! If only she were in a position that would allow her to make more inclusive decisions. Unfortunately, empty statements like this one are not new in the Industry. Large corporations have a kink of excusing themselves with politician talk and proceeding to make the same unethical mistakes over and over again. This time is a bit different though. Now, they follow their sad statements with a black square, to add a loose touch of “I care but not enough to make a change.” As a result of this fiasco, people have decided to take matters into their own hands and protest the supremacy that characterizes Vogue. Hence, the creation of the #VogueChallenge, proving to the Fashion Industry that some melanin never goes a long way.
Illustration by Andrea Grigsby